Historical and Cultural Context in Literature in Art in This Era

Context of Creation

The political, socioeconomic, and cultural setting that a work of fine art is created in will impact how information technology is perceived inside fine art history.

Learning Objectives

Recognize the importance of an artwork'due south context of creation to art history

Central Takeaways

Key Points

• Patronage of the arts, and art history by extension, has been used throughout history to endorse the ambitions and agenda of the dominant power of any given age. Art history is the academic study of objects of art in their historical development and stylistic contexts (i.eastward., genre , design, form , and style ).
• Art conveys political, religious, and philosophical themes and judgments that arise as much from the artist's environment every bit they exercise from his or her creative impulse.
• Some of the contextual forces that shape artists and their work are their teachers and the influences of preceding styles; their patrons and their demands; their audiences; and their general socioeconomic, political, and cultural climate.

Key Terms

• iconography:The branch of fine art history which studies the identification, clarification, and the interpretation of the content of images.
• oeuvre:The complete body of an creative person'due south piece of work.

Fine art has existed well-nigh as long as humankind itself and serves every bit a vehicle for the expression and communication of ideas and emotions. The catechism of art history, nonetheless, has historically conveyed the political, religious, and philosophical ideals of the dominant power. Art history categorizes artworks and theories with a heavy reliance on the context or environment that the artwork was created in (i.e., its political, social, cultural, and economic settings).

Art history is the academic study of fine art objects in their historical development and stylistic contexts (i.e., genre, pattern, grade, and fashion). A work of art from a item historical period can exist treated equally an original source of information that was created at the fourth dimension nether study, and provides information about that time. Art historians report the contextual forces that shaped artists and their oeuvres , including their teachers and the influences of preceding styles; their patrons and their demands; their audiences; and their general socioeconomic, political, and cultural climate. These factors produce and influence dissimilar creative styles and iconography , which are characteristic of their historic period and geographical location with reference to visual appearance, technique, and class.

In many ways, the historical backbone of art history is a celebratory chronology of beautiful creations of art commissioned by religious or civic institutions or wealthy individuals. Patronage of the arts has been used throughout history to endorse the ambitions and calendar of these institutions and individuals, and has been peculiarly important in the cosmos of religious art . For case, the Roman Catholic Church was an enthusiastic sponsor of the arts that resulted in a tremendous outpouring of compages, painting, sculpture , and decorative crafts in medieval and Renaissance Europe.

The Creation of Adam past Michelangelo, Sistine Chapel ceiling: Michelangelo painted the ceiling of the Sistine Chapel in the State of the vatican city under the patronage of Pope Julius 2 between 1508 and 1512.

Intended Context of Reception

Art'due south context of reception depends on a variety of circumstances, both on the part of the creative person as well as the artistic community the artist is participating in.

Learning Objectives

Identify the non-motivated, as well every bit motivated, factors that have given rise to art

Key Takeaways

Key Points

• Art arises from a combination of non-motivated factors driven by the intrinsic human impulse towards harmony and creativity as well as motivated factors, which consciously aim to communicate specific messages to other individuals.
• Art may be used to evoke item emotions or moods, for social inquiry and political modify, for questioning and criticizing society, or as a means of propaganda or commercial ad for influencing pop conceptions.
• Religious fine art uses religious inspiration and themes in order to illustrate the principles of the organized religion and to provide spiritual instruction to audiences.
• Patronage of the arts was typically used as a means of expressing and endorsing political, social, and cultural agendas and of displaying personal prestige. Works of art commissioned by wealthy patrons unremarkably reflect their desires and aims.

Central Terms

• patron:An influential, wealthy person who supports an artist, craftsman, scholar, or aristocrat.
• motif:A recurring or dominant element in a work of fine art.

Art'southward context of reception depends on a diverseness of circumstances, both on the function of the artist likewise equally the creative community and climate that the artist is participating in. Throughout human being history, fine art has been created beyond a range of media for many unlike reasons and to serve many different functions. Some of these purposes are intrinsic to the human instinct for harmony and residuum, besides every bit the homo desire to experience mysterious things and express the human imagination. Fine art can transcend the concept of utility or external purpose. These ideas are chosen the non-motivated purposes of art. All the same, art also comes from intentional, witting actions that aim towards specific external goals, and those qualify as the motivated purposes of art. Motivated purposes normally arise from the artwork's historical context, which consists of a multitude of different factors, including the social, political, economic, and cultural settings of the period; the artist'south patrons; and the creative person's intended audience.

Primarily, art is a grade of advice, and like most forms of communication, has intents and goals directed toward other people. It may be used for entertainment, seeking to evoke particular emotions or moods in viewers , or for social inquiry and political change by portraying aspects of society in gratis or critical ways.

Eugène Delacroix, Liberty Leading the People, 1830: This painting reflects contemporary events, commemorating the July Revolution of 1830, which toppled Charles X of France. A adult female personifying freedom leads the people forward over the bodies of the fallen, property the flag of the French Revolution in one hand and brandishing a musket with the other. The painting reflects the context of the fourth dimension: namely, a shift towards representing political current events in art.

Similarly, art may also be used equally a grade of propaganda by subtly influencing popular conceptions, or for commercial purposes, by making specific products more attractive to potential consumers. Religious or sacred fine art uses religious inspiration and motifs in order to illustrate the principles of a religion in a tangible form, and is often intended to provide spiritual instruction and connection with believers.

Sandro Botticelli, Madonna and Child with Viii Angels, 1478: An example of religious fine art, this painting was commissioned by the Catholic Church during the Renaissance. Like a great deal of religious fine art, the painting is meant to communicate the spiritual dazzler of the religious concept echoed in the aesthetic beauty of an oil painting. The piece of work reflects the context of its fourth dimension, in which fine art was driven nearly exclusively past religious institutions and used to illustrate and provide educational activity about the principles of the religion.

Through the course of history, much of art has traditionally been patronized by wealthy and powerful individuals, including rulers and aristocrats, likewise every bit various borough and religious institutions. Patronage of the arts was typically used as a means of expressing and endorsing political, social, and cultural agendas and of displaying personal prestige. Works of art commissioned by wealthy patrons usually reflect their desires and aims.

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Source: https://courses.lumenlearning.com/boundless-arthistory/chapter/historical-context/

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